![]() ![]() For medieval artists, it was more important for a picture to be easily understood than to be original. Tradition was important for scribes and illuminators. Zoom in! Find the bird among the vines in the border. Artists often illuminated borders with images of flowers, vines, insects, and other creatures.Įven though the Virgin and Christ child are the main subjects of this page, the artist dedicated almost as much space and attention to the border decoration as he did to the miniature. Borders were mostly ornamental, and artists were free to be inventive when they decorated these spaces. Zoom in! Find the pink C formed by the head and wings of an angel.īorder decoration on a page from the Arenberg Hours, a prayer book made in the 1460sĪrtists often adorned the borders of manuscript pages. The large decorated initials-a B at the top and a C below-mark the beginnings of new sections in the text. The pages of a manuscript were ruled to help the scribes write straight lines.Ī scribe used black and red ink to copy this page from a prayer book written in Latin, which was used by monks in church services. To create the text of a manuscript, scribes copied each word by hand from an existing book, and artists decorated important letters. Zoom in! Find the knights in shining armor standing on the decks of the boats.Ī page with two decorated letters from a church service book made in the 1420s Here the French navy sets sail for Castille, in Spain, to fight the English. The miniature on this page illustrates an episode in a history book that tells stories of the wars between England and France in the 1300s. Miniatures illustrated stories and made manuscripts more beautiful. The word "miniature" comes from minium, the Latin word for the red paint used in almost every picture. Pictures in manuscripts are called miniatures, but not because they are small. The French navy sets sail for battle on a page from the Chronicles, a history book made in the 1400s The picture and the words tell the story. Precious materials, such as gold leaf and ground gemstones, were used to decorate the pages of manuscripts.Ī page in an illuminated manuscript has three parts: The animal skins were stretched and scraped so that they were smooth enough to write on. Manuscripts (handmade books) were often written and illuminated by monks in monasteries.īooks were written on parchment made from the skin of sheep or goats. Scribes and illuminators made each book by hand. Scriptorium is a Latin word that means "place for writing." It was a place where books were copied and illuminated (painted).Ī scribe wrote the text for a book, and an artist, called an illuminator, painted the pictures and decoration. Visitors can explore medieval books from the Museum's collection and enjoy hands-on copying activities at a scriptorium table. 500–1500), when books were written and copied by hand. This exhibition focuses on the working method of artists in the Middle Ages (about A.D. PLEASE NOTE: manuscripts in the Cotton collection and most of the Additional manuscripts are not yet included in the Catalogue.November 24, 2009–Februat the Getty Center Only selected items in the Additional collection are included in the Catalogue, consisting of a selection of manuscripts with the finest illuminations, Italian illuminated cuttings, Hebrew illuminated manuscripts, and those containing works in Anglo-Norman and Anglo-Saxon. The illuminated manuscripts in the following collections are included in the Catalogue: Additional, Arundel Burney Egerton Hargrave Harley Henry Davis Hirsch King’s Lansdowne Sloane Royal Stowe and Yates Thompson (Oriental, for Hebrew illuminated manuscripts). For details of how to use the system, see Search tips Users can devise their own search criteria in using the Catalogue. ![]() In order to maximize the number of images, the Catalogue includes digital scans of existing slides as well newly-commissioned digital images. Because it includes such a wide range of material, it serves as a useful resource for those working in a variety of disciplines. The Catalogue includes descriptions and images of western manuscripts with pictorial and decorative embellishments, from fully painted miniatures to decorated initials. The Library holds one of the richest collections of medieval and renaissance manuscripts in the world, and aims to provide access to images and information about its manuscripts to students, scholars, and the general public. Welcome to the Online Catalogue of Illuminated Manuscripts, a searchable database of some of the western illuminated manuscripts in the British Library. About the Online Catalogue of Illuminated Manuscripts ![]()
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